by David Brooks
The two most recent times I saw my friend Makoto Fujimura, he put a Kintsugi bowl in my hands. These ceramic bowls were 300 to 400 years old. But what made them special was that somewhere along the way they had broken into shards and were glued back together with a 15th-century technique using Japanese lacquer and gold.
They look like they have golden veins running through them, making them more beautiful and more valuable than they were in their original condition.
There’s a dimension of depth to them. You sense the original life they had, the rupture and then the way they were so beautifully healed. And of course they stand as a metaphor for the people, families and societies we all know who have endured their own ruptures and come back beautiful, vulnerable and whole in their broken places.
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